How we bought a classic Lancia and drove it back to the UK

With its engine producing 115bhp at 6200rpm, the Fanalone hit 60mph in 9.9sec, although an extra-special run known as ‘variante 1016’ added another 15bhp thanks to rally-bred camshafts and a higher compression ratio.

Also in 1969, a takeover by Fiat brought much-needed investment in Lancia, and a year later the second-series Fulvia Coupé appeared with changes including a five-speed gearbox for all versions, dual-circuit brakes and revised styling, with UK cars also getting raised outer headlights for compliance reasons.

Engineers at the time claimed to introduce Fiat components only by choice rather than force, but ongoing downgrades to trim finishes and the deletion of aluminium panels on the HF model hinted that compromises were being decreed from on high. Still, it was better to have Lancia with a touch of Fiat than no Lancia at all.

Officially an extension to the second series, the Fulvia 3 arrived in 1973, bringing with it mainly gentle cosmetic changes both outside and in. By then the model shared a production line with the new, Fiat-engined Beta Coupé, and it was discontinued in 1976.

All of which made light reading on my flight to Naples in September 2017. From descending past Vesuvius and a couple of gelato-fuelled days spent marvelling at the Amalfi Coast to viewing the car in a hilltop farmyard with a glass of home-made limoncello served by the seller’s mamma, it was the car-buying trip dreams are made of.

Most importantly, the Fulvia really was as good as it looked: a 12-year-old repaint of its Bleu Agnano bodywork still looked tidy, the interior was aged but intact, there was no sign of either rust or repairs and a passenger ride didn’t sound any mechanical alarm bells. Soon, it was mine, for £7500.

For another £650, a transporting firm would deliver the car to IJmuiden port, near Amsterdam, so three weeks later I met it there on a damp Dutch night to catch a ferry to the UK.

The import process was fairly straightforward: no VAT or import duty were payable, but I had to tell HMRC about the car and provide the DVLA with a dating letter from FCA (Lancia’s UK representative at the time), plus an MOT certificate.

Post-Brexit, there is still no duty but 5% VAT would have applied, while the 40-year historic vehicle testing exemption means a V112 declaration now suffices instead of an MOT.

I would have volunteered to get the car tested anyway and still periodically take it for MOTs. Legally, classics must be kept ‘roadworthy’ at a minimum, but that mainly covers lights, brakes, levels and tyres.

I chose respected Lancia-whisperer – and former Fulvia rallyist – Neil Jeffrey at Car Craft Scotland for a thorough inspection and pre-test checks.

To my relief, his opinion of the bodywork and chassis reinforced my own earlier starry-eyed assessment: they were excellent. There was still oily work to be done, though.

Fresh fluids and plugs were joined by the likes of new engine and gearbox mounts, rear suspension bushes, CV joint gaiters and brake lines.

The fuel filter and regulator assembly was cleaned, the distributor refurbished, the timing and valve clearances set and the two double-barrel Solex carburettors adjusted for noticeably sweeter running.

The ancient underseal was also wirebrushed off and replaced: having seen the husks of rust-ravaged Fulvias, I’m not taking any chances with this one. An advisory-free MOT followed, with garage costs to that point of £3100 in labour charges and £1100 in parts.

That was at the upper end of my expectations, but I was happy nonetheless. Since then, the only extraordinary mechanical expense has been to repair a leaking brake master cylinder, and that was back in 2021.

I’ve made other improvements. The warped vinyl door cards have been replaced with smart new recreations from Italy, and the manually adjustable front seatbelts were substituted with inertia reels for safety and comfort.

Manky old sound deadening in the footwells was binned and crusty glue residue sanded from the floor, which was then expertly prepped and repainted by GBL Motors in Edinburgh.

Fitting the replacement deadening remains on the to-do list, along with new headlining that’s waiting on a shelf.

The Fulvia’s aftermarket Melber Major alloy wheels suited it nicely but were 1.5in wider than standard and prone to rubbing tyres on the rear wheel arches.

The tyres themselves were old enough to vote, so I took the chance to refinish the original steel wheels the seller had supplied and fit them with period-correct Michelin XAS tyres, which are still in production using a modernised compound.

Selling the Melbers helped fund the change, the effect of which was transformational: steering weight, grip, ride and handling all improved.

And those are among the dynamic talents photographer Max Edleston and I have resolved to explore along the Scotland-England border where Dere Street – the Roman superhighway to the northern extreme of the Empire – stands in for Via Fulvia, the 179BC road leading east from Turin, after which the car was named.

There’s a distinctive intake warble and slight metallic churn to the bright and free-revving engine, and even with us and our things adding 20% to the car’s kerb weight, there’s still surprising urgency available with revs, the sensation of which is heightened by the Fulvia’s sound and smallness.

The dog-leg gearbox has a fairly long throw and needs two distinct movements into fourth but otherwise shifts sweetly, with satisfying north-south changes into third and fifth.

The ratios are short and closely stacked, explaining the undistinguished 0-60mph time of 11.9sec recorded by Autocar’s road testers in 1974, and fourth gear is often required when driving in town.

Fifth is direct drive and no leggier than in the earlier four-speeder, sitting loudly just below 4000rpm at 70mph, which can become wearing on motorways and faster A-roads.

Thankfully, the border country is scattered with interesting minor roads. Remote, quiet and unfailingly scenic, these rally-ready capillaries suit the Fulvia perfectly.

Miki Biasion – two-time Integrale-driving WRC champion – owns a Safari edition Fulvia and says works drivers used to left-foot brake to get the best from the car, entering bends rapidly and then braking aggressively to start the turn.

For civilian driving, however, fluidity is your friend. The pedals encourage a heel-and-toe approach, letting you engage the cornering gear of choice with a happy bark from the engine.

There’s scant feel from the servo-assisted brakes, but they’re easily modulated and reassuringly effective. The worm-and-roller steering, although composed and delicately weighted once up to speed, isn’t overly incisive, and sharp inputs upset the suspension, so set your lock early, settle in and you’re rewarded with a sweet and nimble pivot.

Thanks in part to generous sidewalls, mid-corner bumps don’t upset the chassis, and the understeer you might expect from that extreme-front engine position and skinny, 165mm-wide tyres doesn’t materialise.

Once into your rhythm, it’s a pleasure. But it also makes you realise what wizards those rally drivers were to put the front-drive Fulvia on a knife-edge and break rear-end grip while retaining absolute control.

It is a truly engaging classic to drive; my arms, legs and brain are continually busy, and the effort is rewarded. Watching the greenery speed by from the supple-riding Fulvia’s near-pillarless glasshouse, there’s not much I’d swap this time and place for.In terms of practicalities, it’s a manageable car to own and run.